Time and again, Star Wars fans have come to associate the action as the prelude to epic space battles and daring dogfights.
It’s a moment that works so well because of all the history that the franchise has with the iconic starfighters. The comms go dark, and then, wordlessly, the two X-wings lock their S-foils in attack position. Transporting a struggling single mother to reunite her with her husband to save her family line surely isn’t a crime, even in the Outer Rim.īut after running the Star Wars equivalent of his plates, the duo (one of whom is played delightfully by Paul Sun-Hyung Lee, a longtime Star Wars fan and star of Canadian sitcom Kim’s Convenience) is concerned about the Mandalorian’s past escapades raiding a Republic prison transport last season. We know that the Mandalorian isn’t actually doing anything wrong here. Nowhere is that more apparent than one of the most striking scenes in Mandalorian season 2, episode 2, “The Passenger,” when the Mandalorian’s ship, the Razor Crest, is pulled over by what is effectively a pair of New Republic traffic officers. And that means the Republic doesn’t always represent the good guys anymore. Fighting a war against a clearly evil fascist organization is relatively straightforward running a galaxy-wide government in the aftermath is much more difficult. The Mandalorian is better the less like Star Wars it getsīut part of that is because the New Republic itself, as a governing body, is already a very different organization than the idealistic Rebel Alliance that worked to overthrow the Empire.
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